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This collection of songs runs a nice gamut between boplicity and pleasant balladry. His tone is as delightful as it gets on the sultry "Deliah" and as bop-expressive as it gets on "The Blues Walk" and "Parisian Thoroughfare," where he and Brownie go head to head blowing expressive runs of sheer New York-style jazz.
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There's a nice story about that that I'm going to squeeze in here. What really keeps this record on the orange side of things (other than the decidedly orange cover) is the solo work of saxophonist Harold Land, who plays part Bird and part Benny Goodman. SPELLMAN: Yeah, 'Joy Spring' was written by Clifford Brown for his wife, Larue Anderson. Brown's tone is undeniably and characteristically warm, and he keeps the heat on alongside Roach's lilting vamps and pummeling solos.
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The result is by far some of the warmest and most sincere bebop performed and committed to tape. This recording was early fruit from a tree that would only live as long as Clifford Brown was around to water it (1956, the year of his tragic auto accident). The last duo to really shape the music had begun over ten years earlier, with the relationship between Bird and Diz. The session wraps with a particularly brooding take of "I Remember Clifford," Benny Golson's memorial tribute to the trumpeter written not long after the crash that took his life.According to the original 1955 liner notes to Clifford Brown & Max Roach, the announcement that Clifford Brown and Max Roach had begun recording and playing together sent shock waves throughout the jazz community and predictions ran rampant about how the two might shape bop to come.
JOYSPRING CLIFFORD BROWN PLUS
Plus explore Clifford Brown's solos on his classic masterpiece from the septet and quintet recordings Solos in B-flat and C editions. Carrothers' ominous setting of Duke Jordan's "Jordu" proves humorous, while Victor Young's "Delilah" is enchanting. Lead sheets from the both the concert E-flat septet version and the standard key, F (quintet version). Two pieces recorded by the Clifford Brown/Max Roach Quintet also merit praise. His demanding "Jacqui" and furious "Powell's Prances" provide suitable fuel for the trio. Richie Powell's compositions have also been overlooked, though like Brown, he would have likely grown in stature had he lived longer.
JOYSPRING CLIFFORD BROWN FULL
It is odd that the playful "Tiny Capers" hasn't received more attention the trio digs full force into this intricate bop vehicle. His approach to "Daahoud" is more conventional though no less impressive. "Joy Spring" has long been a favorite of jazz musicians for its upbeat bop theme, though Carrothers surprisingly transforms it into a haunting, slow meditative ballad that proves just as effective. Pianist Bill Carrothers corrects that oversight by exploring several of his pieces (along with four by Powell) in this trio session with bassist Drew Gress and drummer Bill Stewart. Yet aside from his compositions "Joy Spring" and "Daahoud," little else that he wrote while he co-led his band with Max Roach has been explored in depth by jazz musicians. Trumpeter Clifford Brown was killed in a car wreck (with pianist Richie Powell and his wife) before he reached his 26th birthday in 1956, but he left a phenomenal recorded legacy in his brief life.